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16.8.24
Gor-Science and Realism
What is Gor-Science and Realism and her concept?
This language is a language that he says is spoken by the ancient demigods and the first 13 prophets of the great Architecture that he calls Arosnic Architecture, one could say that he has it in his vocabulary as a dead language, one of those languages that today Nobody can translate them and in fact when reading their language and seeing their manuscripts you feel that you go back to times before the time we know, in the same way in their writings in Spanish they talk to us about fractal times where the numerical reason is not a reason of existence but rather it is a reason of quantum emotional thought where the soul of a living or dead being only travels through the reason of that bearer of its ancient voice.
By seeing his manuscripts on Gor with Acrosnica symbolism we can see glimpses of past times where the entities of primary thought walked near the Sun of the occultists who invaded the fractal worlds of the first children of Ophtalanif called by him as the first prophet of quantum time.
The 5th evolution is a genetic-spiritual revolution that lies dormant in the blood of humans, every time we are born in this fractal time our spiritual essences meet again with their carno-numeric essences to dance the great dance of allusions called temporary memories.
As lost children of our voices we wander between the vigil of our reason and the opportunity to emigrate within the numeric tables of the ascending Sun of the prophet Oftalanif, perhaps we should go again to encounter the reasons that do not exist outside of animal logic, because They will ask themselves, simply as he says: "Knowing the color of your soul will take you to the plane that your old life has created in fractal reasons"
Carlos has developed and created the musical notes for Gor-Science and Realism:
The Gor spectral language has its sound vibrations that decorate the Cirmayanic language, these musical notes are and belong to the dimension of Acrosnica architecture, therefore their sound value and position in the basic musical compass of the first dimension are not the same in the instruments. of string to generate the sound of the musical notes of the Gor Language.
Likewise, it should be mentioned that these notes belong to and are born in the literary concept called Cirmayanico of the works "Cirmayadad" which are the written testaments of Archons, Prophets, Arcturians, Reptilians, Specters and other spiritual Entities that walk in this first dimension intersecting in the human act through the unconscious and the magnetic poles of the human body.
In the same way we have described what the Gor language is by showing a manuscript of the books "Cirmayadad: The Circus of the Angels" where there are prayers and fragments of this language but it is the book "Cirmayadad: The book of prayers and the kingdom of Acros" where you can read, breathe everything in the Gor language and symbols of the Acrosnica Architecture.
We will take a few words from the introduction of the book of prayers that is written with the Acrosnic symbology which builds a map of Nadonic architecture that is the Base to open the portals to the world of the ancient and eternal ascended sages and unborn souls. On the plane of the first dimension, the energy that feeds the experiment called Humanity transits and lives in these worlds.
We can say that every musical sound opens a portal in the human brain, a conventional and basic note such as: Do, Re, Mi, Fa, Sol, La and Si - They give a sound frequency that can be pleasant, others can generate sadness. and anger, others awaken the strength, passion and all the emotions of a creature of flesh and blood, but the Acrosonic musical notes of the Gor language seek to open psychic portals of photo-electric contact with the planes where the entities mentioned above transit, such as the Arcturians, Reptilians, Acrosonic and Cirmayanic Prophets, Archons and their teachers approaching where the timeless fractional specters live.
To understand these entities you have to read their version of what the Archons and other entities described in the aforementioned books are.
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Etiquetas
- ARGENTINA - Alejandra Dorado
- ARGENTINA - Diego Scagni
- ARGENTINA - Lucia Martinez
- ARGENTINA- Claudio Tomassini
- ARGENTINA-Alejandra Coirini
- ARGENTINA-Demián Medina
- ARGENTINA-IMPRONTUS ARS - Diana Profilio - Damián Giovannetti
- ARGENTINA-Ivana Tambussi
- ARGENTINA-Marila Tarabay
- ARGENTINA-MARTA HOYA
- ARGENTINA-Marta Primiani
- ARGENTINA-PABLO SILVA
- ARGENTINA-Paula Sánches
- ARGENTINA-Roberto Marín
- ARGENTINA-Sebastian Marcos Fernandez
- ARGENTINA-Silva Pablo
- ARGENTINA-Silvia Mitri
- BRASIL - Rosana
- BRASIL -- Yeda Arouche
- CATALUNYA (is not spain)-M.PAUMARCH
- CHILE -Isabel Wallis
- CHILE-ANGELICA CORDERO
- CHILE-CARLOS PAREDES COLIN
- CHILE-Laura Trisot
- CHILE-Ulises Paulsen
- COLOMBIA-MARIA GARCIA
- CUBA-Ramiro Zardoya Loureda
- ESPAÑA - Ignacio Murillo "HIGINIO"
- ESPAÑA-Amparo Andre Lopez
- ESPAÑA-ANDRES RUEDA
- ESPAÑA-ANTONIO GIL
- ESPAÑA-Antonio Valle
- ESPAÑA-Emilio Romero
- ESPAÑA-Francisco Govín Batista
- ESPAÑA-Guadalupe Mañanas
- ESPAÑA-Iñaki Alvarez
- ESPAÑA-Jesus Carmelo Hernández Rodríguez
- ESPAÑA-Lady Sivexen
- ESPAÑA-LOLI MARTINEZ.PINTORA
- ESPAÑA-MIQUEL DURAN CARRERA
- ESTADOS UNIDOS- k. Madison Moore
- Galicia-B.Santos
- MEXICO - Juan Castillon
- MEXICO-Ana Gloria Torres
- MEXICO-Julio Belmont
- MEXICO-Maria del Carmen Avila
- PERU - OSCAR SULLON
- peru- oscar sullon lalupu
- PERU-Fernando Vento Gutierrez
- PERU-V. Z. Sanjinez
- Portugal-Isabel Maia
- RUSIA-PELAKSIA
- VENEZUELA - Elena Molina
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